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	<title>Comments on: Dracula: the Musical</title>
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	<link>http://www.tinmanic.com/archives/2004/08/11/dracula-the-musical/</link>
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		<title>By: Gary C.</title>
		<link>http://www.tinmanic.com/archives/2004/08/11/dracula-the-musical/comment-page-1/#comment-2571</link>
		<dc:creator>Gary C.</dc:creator>
		<pubDate>Fri, 27 Aug 2004 17:25:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.tinmanic.com/archives/2004/08/11/dracula-the-musical/#comment-2571</guid>
		<description>I saw this show during it&#039;s previews and was utterly disappointed with nearly every aspect. Didn&#039;t Frank Wildhorn READ the novel? No pulse is what this show has. I&#039;ve waited months for this show to appear on Broadway and was let down with a giant thud. The effects have no affect on the audience, plot or overall enjoyment of the piece. How could a group of creators write such a mundane version of a truly electrifying story. The original novel is full of sexual overtones, but here we don&#039;t even get a back-rub. The score is completely forgettable. They should have just done a revival of the play version that played on Broadway in the 1970&#039;s. This sort of venture is better attempted by such talents as Sondheim or Schwartz. While I have enjoyed some of Wildhorn&#039;s other works, this one made me wish they had waited until the material was ready before trodding the boards in New York. This time someone has really put a steak through the heart of a classic story. And no one is saved.</description>
		<content:encoded><![CDATA[<p>I saw this show during it&#8217;s previews and was utterly disappointed with nearly every aspect. Didn&#8217;t Frank Wildhorn READ the novel? No pulse is what this show has. I&#8217;ve waited months for this show to appear on Broadway and was let down with a giant thud. The effects have no affect on the audience, plot or overall enjoyment of the piece. How could a group of creators write such a mundane version of a truly electrifying story. The original novel is full of sexual overtones, but here we don&#8217;t even get a back-rub. The score is completely forgettable. They should have just done a revival of the play version that played on Broadway in the 1970&#8242;s. This sort of venture is better attempted by such talents as Sondheim or Schwartz. While I have enjoyed some of Wildhorn&#8217;s other works, this one made me wish they had waited until the material was ready before trodding the boards in New York. This time someone has really put a steak through the heart of a classic story. And no one is saved.</p>
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		<title>By: Jon</title>
		<link>http://www.tinmanic.com/archives/2004/08/11/dracula-the-musical/comment-page-1/#comment-2098</link>
		<dc:creator>Jon</dc:creator>
		<pubDate>Thu, 12 Aug 2004 18:11:18 +0000</pubDate>
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		<description>The question isn&#039;t just why does he keep writing such shitty music.  It&#039;s why the fuck do producers actually throw their money away producing it?  Aren&#039;t there enough talented writers out there... or at least writers who aren&#039;t proven to suck quite so hard that they could experiment with?</description>
		<content:encoded><![CDATA[<p>The question isn&#8217;t just why does he keep writing such shitty music.  It&#8217;s why the fuck do producers actually throw their money away producing it?  Aren&#8217;t there enough talented writers out there&#8230; or at least writers who aren&#8217;t proven to suck quite so hard that they could experiment with?</p>
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		<title>By: Crash</title>
		<link>http://www.tinmanic.com/archives/2004/08/11/dracula-the-musical/comment-page-1/#comment-2097</link>
		<dc:creator>Crash</dc:creator>
		<pubDate>Wed, 11 Aug 2004 18:14:51 +0000</pubDate>
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		<description>I can understand why he keeps writing.  He get lots of money for easy, uninspired music.  Believe me, if I were on that particular gravy train, I&#039;d be writing till they pulled the pen out of my dead, gnarled hand.

He should be writing for Vegas, not Broadway.</description>
		<content:encoded><![CDATA[<p>I can understand why he keeps writing.  He get lots of money for easy, uninspired music.  Believe me, if I were on that particular gravy train, I&#8217;d be writing till they pulled the pen out of my dead, gnarled hand.</p>
<p>He should be writing for Vegas, not Broadway.</p>
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		<title>By: The Tin Man &#187; Frank Wildhorn II</title>
		<link>http://www.tinmanic.com/archives/2004/08/11/dracula-the-musical/comment-page-1/#comment-2111</link>
		<dc:creator>The Tin Man &#187; Frank Wildhorn II</dc:creator>
		<pubDate>Wed, 30 Nov -0001 00:00:00 +0000</pubDate>
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		<description>[...] Saturday, August 14, 2004 	 	Following up on my post the other day about &lt;a href=&quot;http://www.tinmanic.com/archives/2004/08/11/dracula-the-musical&quot;&gt;Frank Wildhorn and &#8220;Dracula,&#8221;&lt;/a&gt; The New York Times has a very perceptiv [...]</description>
		<content:encoded><![CDATA[<p>[...] Saturday, August 14, 2004</p>
<p> 	Following up on my post the other day about <a href="http://www.tinmanic.com/archives/2004/08/11/dracula-the-musical">Frank Wildhorn and &#8220;Dracula,&#8221;</a> The New York Times has a very perceptiv [...]</p>
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