Campbell Robertson of the New York Times has a great piece about the ways in which the passage of time has made Rent anachronistic since it first appeared more than a decade ago. My favorite part:
There is a fascinatingly antagonistic attitude among the characters toward virtual reality and what they call cyberland. The creation of a cyber studio on a lot on East 11th Street is the great evil of the musical, seemingly more ominous than AIDS or drugs, and yet if “Rent†took place today, half the characters in the show would be blogging.
She also has some insight into the authenticity, or lack thereof, in musical theater.