Glee, Swingle Singers, Golliwog’s Cakewalk

We watched the premiere of “Glee” last night. It was cute. It’s about a high school Spanish teacher (played by Broadway actor Matthew Morrison) who takes over the school’s glee club. Apparently there are going to be all sorts of theater guest stars when it officially premieres in September. It’s catnip for us gays.

I don’t know why they’re calling it a glee club; it’s really a show choir. This is a glee club. If this show gets popular, for the rest of my life I’m going to have to explain to people that when I was in the Virginia Glee Club we did not dance around in costumes and sing pop songs.

Much of the background music to this episode was provided by the Swingle Singers; one music clip recurred three or four times during the episode, and Matt and I both thought it sounded familiar and were racking our brains to figure out what it was. After the show ended, we spent the next 45 minutes furiously googling and finally figured out that it was “Golliwogg’s Cakewalk” from Debussy’s “Children’s Corner.” “Golliwogg’s Cakewalk” is a pretty racist name for a piece of music, but it was written 100 years ago by a Eurpoean, so what can you do. Here’s a clip of someone playing it.

TV History

TV Book

My previous post got me thinking about how much I love TV history.

When I was a kid growing up in the ’80s, I was really interested in old TV shows. My vision of the 1950s was filled with black-and-white nuclear families; my vision of the 1960s had Technicolor housewives with secret magic powers living in leafy suburbs. And everyone from the Cleavers to Major Nelson and his genie lived in classical American homes. There was no segregation or Cold War or Joe McCarthy, no Vietnam or civil rights marches: just tidy families resolving problems in 30 minutes or less.

One day when I was 11 or 12, I was at a shopping center with my dad. We were in one of those all-purpose stores like Wal-Mart, except we didn’t have Wal-Mart in New Jersey, so maybe it was Caldor? Channel? I was browsing through the book section when I saw an enormous paperback that caught my eye: The Complete Directory to Prime Time Network and Cable TV Shows, 1946-Present by Tim Brooks and Earle Marsh.

I was enthralled. I had no idea such a book existed! It had every show, in alphabetical order, with first and last broadcast dates, regular airtimes, cast lists, and several paragraphs describing the show. For each year it also had the prime-time fall TV schedule, top-rated shows for each year, and Emmy winners in the major categories.

I bought it right then and there. In the internet era, books like this are practically obsolete, but I still have my copy. They’re up to the ninth edition now, but I could never bear to part with my edition, for nostalgic reasons.

And if you want a great summary of TV history, here’s the introduction to the latest edition, including “The Eight Eras
of Prime Time,” and this list of the number of Westerns on TV by year:

Number of Westerns in Prime Time, by Season

1955–1956: 9
1956–1957: 11
1957–1958: 20
1958–1959: 31
1959–1960: 30
1960–1961: 26
1961–1962: 16
1962–1963: 13
1963–1964: 8
1964–1965: 7

My concept of postwar American history has become more complicated since I was a kid, but I still have a soft spot for the ’50s and ’60s and all that Atomic-Age TV stuff, and I still love TV history.

No wonder “Back to the Future” has always been my favorite movie and always will be.

TV Anniversary Specials

Last night I watched ABC’s 50th Anniversary Celebration on TV. (Actually, I was out for the first half of it, so I taped it and watched most of it last night.) I’m a sucker for those big TV nostalgia-fests. This one wasn’t spectacular — it was awkwardly edited and had pointless, incomplete cast reunions — but it was filled with lots of great TV clips. I think ABC’s heyday was in the late ’70s and early ’80s, when it ran escapist sitcoms like “Happy Days” and “Mork & Mindy” and fun shows like “Eight is Enough” and “The Greatest American Hero.” I’m too young to remember that era very well, but these are the memories I have manufactured for myself, and isn’t that what nostalgia’s all about?

The best network anniversary special I’ve ever seen was NBC’s 60th Anniversary Celebration, a three-hour show broadcast on a Sunday night in May 1986. I still have it on tape somewhere, and I used to watch it all the time. The whole thing was liberally sprinkled with clips from the ’50s, ’60s, ’70s and ’80s. There were a few radio excerpts, but I guess radio doesn’t translate very well to TV. Different NBC celebrities introduced each segment, but the main hosts were Malcolm Jamal-Warner and Keshia Knight-Pulliam, a.k.a. Theo and Rudy of “The Cosby Show,” NBC’s big hit at the time. They travelled through the NBC studios at 30 Rockefeller Center, and there was a musical number in the lobby of the building, with all the singers and dances dressed as NBC tour guides, wearing navy blue jackets with the NBC logo and khaki pants or skirts. And the musical number included a woman dressed as the NBC Peacock. You really had to see it.

There was an entire segment consisting of clips from “Saturday Night Live.” Bryant Gumbel and Jane Pauley hosted a segment on the history of “The Today Show.” Deidre Hall of “Days of Our Lives” and Pat Sajak of “Wheel of Fortune” hosted a segment on NBC daytime. Barbara Eden of “I Dream of Jeannie” appeared on a stage decorated as a big suburban home to host a loving segment on NBC sitcoms. Michael Landon of “Little House on the Prairie” did Westerns. Michael J. Fox did something. There were segments on variety shows, cop shows, news, TV movies, sports programming, children’s television, and so on. There was an even a segment that had various NBC logos morphing into each other.

The whole thing was really quite cheesy and wonderful. I have to find that tape.

I love the 1950s, or at least the 1950s as I used to see them, filtered through movies and television. I used to fantasize about going back in time to the ’50s and wandering through an empty suburban house on a random weekday, when the kids were at school and the father was at work and the wife was out shopping with her wifely friends. Nobody would be home, so I could sit on 1950s furniture and watch cheesy 1950s game shows and soap operas, and then I could go outside and wander along the suburban streets filled with big Chevys, kids on tricycles, and leafy black-and-white trees.

It should be no surprise that “Back to the Future” is one of my all-time favorite movies.

We all need a little escapism, right?