Crazy Audience Member!

Last night’s production of Spider-Man was terrible enough, but it was made worse by the most bizarre experience I have ever had with an audience member at the theater.

Our tickets were in the second-to-last row of the balcony. We took our seats at about 7:50. A few minutes after we sat down, a family came and sat down next to Matt: a man, a woman, and two boys. The woman took the seat next to Matt. Dark hair, probably in her late 30s.

The show still hadn’t started, so the woman began chatting with us. That was fine, although we were both fiddling with our phones and trying to check into the theater on Foursquare. After a little small talk, we both turned back to our phones. But she kept chatting.

“Happy Hanukkah!” she said to us. “You guys are Jewish, right?”

I said that I was but that Matt that wasn’t. It was a little awkward; you shouldn’t really try to guess what religion someone is.

And then she said, “Is there an extra night of Hanukkah this year?”

Um, what?

“No, it always has eight nights,” I said.

“There’s no extra night because it’s not a leap year,” Matt said jokingly.

“Oh, my son told me that sometimes it has an extra night. I guess he was tricking me!”

Then she pointed out some of the lighting equipment toward the sides of the theater and said how neat it looked.

It was then that I noticed she had a beverage with her. It was a smoothie in a plastic cup, or at least it looked like a smoothie. I realized that this woman was either drunk out of her mind or just bonkers.

Then one of the producers walked out onto the stage and welcomed us to the show. He told the audience to remember that it was a preview, and also not to take photos, recordings, all that usual stuff, and to enjoy the show. He left the stage and the lights went down and the show started.

But the woman wouldn’t be quiet. She kept oohing and aahing and pointing at the stage and saying, “Wowwwwww!” and “Look at that!” and throwing up her hands and swaying like she was at a rock concert. It was annoying and a little distracting, but I decided to ignore her because the show wasn’t very good anyway and it was mostly loud enough to drown her out.

But a group of college girls sitting in front of us started turning around and looking at her, and I heard the people behind us start to talk about her too.

At one point the woman took out her cell phone and took a picture, which had been specifically prohibited, of course.

And then… she started singing along with the music.

That was it. I leaned across Matt and said to the woman, sternly, “Excuse me, would you please be quiet?” She looked at me. I said, “Seriously. Please be quiet.” I think I embarrassed Matt a little bit. It was hard to return my focus to the stage because I don’t like having to confront people and I was feeling a little uncomfortable now.

The show continued, and so did the woman’s antics. Finally, near the end of the first act, she pulled out her camera again. And this time she stood up to try to take pictures, and she was unsteady on her feet. She was totally blocking the view of the people sitting behind her. That was the last straw. Matt and I both yelled at her, actually yelled, and told her to sit down. The music was blasting, so only the people immediately nearby heard our confrontation.

I said to her, “You’re ruining the show! You’ve been talking the entire time!”

“What are you talking about? I’ve barely said ten words!”

“Are you kidding me? You’ve been making noise during the whole show!” And then I said angrily, “Sober up!”

“I’m not even drinking, you weirdo,” she said. And then again, “You’re a weirdo!”

Five minutes later the first act ended, and Matt and I immediately got out of our seats and went to find some ushers. We told them there was a crazy woman sitting next to us in seat G106 who was drunk and making noise and standing up and taking photos.

“Yeah, I saw a flash, but I wasn’t sure who it was,” one of the ushers said.

“Well, she’s totally ruining the show,” I said. “Not that it’s a very good show anyway, but still –”

“Well I don’t have anything to say about that,” the usher said awkwardly, “but we’ll see what’s going on and we’ll eject her if we need to.”

When we went back to our seats, the whole family was… gone. Their coats were gone, too. Dad and the kids must have realized they needed to get her out of there.

We started commiserating with the people around us. The college girls in front of us said that the woman’s kids had kept telling her to be quiet. That made me feel better — at least it wasn’t just me and Matt. But I felt bad for her family.

Then the people behind us said to us, “Was that woman with you?”

“No,” I said. “She just sat down before the show and started talking with us!”

Thankfully, they didn’t return, so we got to watch the second act without disruption, atrocious as it was.

Between the terrible show and the crazy lady, it was just a bizarre fucking night at the theater.

Spider-Man: Turn Off the Dark

We saw Spider-Man: Turn Off the Dark last night. Before I continue, I should point out that the show is still in early previews (last night was the fourth such preview) and it doesn’t officially open until January. So in theory, there’s time to fix any problems.

But, oh my god. This thing is absolutely terrible.

Most of the publicity has been about the show’s technical snafus and injured actors. But there were no technical problems last night, no glitches that stopped the show.

The real problems are the book, the music, and the lyrics. And I don’t see how any of these get fixed.

The story is totally incoherent. The songs (except one) are tuneless and uninteresting. The lyrics are pointless. The spoken dialogue is boring. The characters are uninvolving. There is no wit or humor. There is nothing to make you laugh or tear up or care about what is happening.

I’m sorry. This is not a Broadway show. This is a $65 million, three-hour piece of crap. Some people have said it’s basically a Cirque de Soleil production, but that’s not true. Cirque de Soleil performers at least contort themselves into interesting shapes and create art with their bodies. Here, it’s just people on wires. So you can’t even give it that.

I go to the theater to be changed. I want to walk out of a show thinking about something in a new way, or having laughed or cried, or heard some good songs, or watched some interesting performances. I’m not impressed by people flying above the audience in costumes or enormous pieces of moving scenery or giant video screens.

This thing has no reason to exist.

The story makes no sense. There are a few random villains but they rarely appear and they rarely interact with Spider-Man. They don’t even seem to have any diabolical plans or motivation. They attack Spider-Man a couple of times but we don’t know why. They’re just kind of there. In addition to the Green Goblin and some villains called the Sinister Six, the Greek mythological figure Arachne appears in the show. Arachne, as the Playbill helpfully reminds us, was turned into a spider by Athena after she beat Athena in a weaving contest. While it might be an interesting idea to have a story about Arachne and Spider-Man, there is no story here. She just shows up every so often. She has no reason for being in the show.

As for the music: I like rock musicals. I loved Spring Awakening, and American Idiot has its moments. Both of those shows use music and lyrics to tell a story. But Bono and The Edge appear to know nothing about how to do this. And they won’t even deign to come to New York to watch the previews of their own damn show, so how can they fix anything?

Oh, I forgot to mention the four annoying, recurring geek characters who talk in rhyming couplets and bring the action to a complete stop whenever they appear and whose only apparent purpose is to stall for time during set changes behind the curtain.

And also, there’s a song where Arachne and an eight-legged spider chorus sing a song about shoes. Yeah, shoes. It’s not even campy bad. It’s just boring bad.

The one good moment in the show is a ballad sung late in the second act by Peter Parker’s girlfriend, Mary Jane, played by Jennifer Damiano. I feel sorry that she has to be in such an awful show after her role in the terrific Next to Normal.

I tried to go in with an open mind but I hated this thing from start to finish.

Even the name of the show is terrible.

Oh, and I haven’t even talked about the CRAZY AUDIENCE MEMBER sitting next to us! But that deserves its own post. (Update: here it is.)