Presidents in the Movies

We watched The American President last night. It was on TV the other night so we decided to TiVo it. I’ve seen it many times, and I always enjoy it. But it’s always jarring to see Martin Sheen playing the chief of staff instead of the president. It’s fun to look for other precursors of The West Wing (both the movie and the TV show were written by Aaron Sorkin, don’t you know). For instance, Anna Deavere Smith and Joshua Malina are in both the movie and the show. And there’s a politician named Stackhouse — governor in the movie, filibustering senator on TV. Here are more similarities. Huh. I never realized that Sydney Wade’s sister is played by the same actress who played Ellie Bartlett.

I’ve always wanted to write a paper about how movie portrayals of the President of the United States changed in the 1990s. When I was a kid, it seemed that whenever a movie featured the president, he was played by some bland, gray-haired, middle-aged man, and he was never a main character. He’d just appear for a few minutes, just long enough to make the agonizing-yet-tough decision to bomb Country X or to shake his fist and refuse to give in to the demands of the villains. He’d stand there in shirtsleeves and suspenders, make his gray-haired decision, and then we’d get back to Jack Ryan or Superman or whoever.

But in the 1990s, Bill Clinton took office. He was from a new generation, more touchy-feely, more idealistic, and the popular conception of the presidency changed as the barrier between public and president fell away. (Boxers or briefs?) This shift was reflected in the movies. Suddenly there were movies about being the president, movies from the president’s point of view. He was now portrayed as younger, friendlier, more idealistic, more vigorous. We were invited to identify with him, root for him. In 1993, there was Dave: Kevin Kline impersonates the president and tries to fix Washington. In 1995, The American President: the idealistic, witty liberal. In 1996, Independence Day: the president flies a fighter jet! In 1997, Air Force One: president as action hero!

I know there’s a paper in there somewhere.

Jesse Helms, R.I.H.

Jesse Helms has died.

I emailed a friend of mine:

I rarely feel this way about someone, but may he rot in hell, if it exists.

He wrote back:

Or if it doesn’t, may he have to be reincarnated as a crippled black Jewish lesbian living in Mississippi.

Amen.

[title of show] Preview

We just got back from the first Broadway preview of [title of show]. It was a night at the theater I’ll never forget.

[title of show] is a musical about its own creation. It was written for the New York Musical Theatre Festival in 2004, transferred to an Off-Broadway run at the Vineyard Theater, and led to a series of YouTube videos about the gang’s quest to get their show on Broadway. (More here.) It’s developed a big cult following among the theater geek set. We first saw it at the Vineyard a couple of years ago, we’d both watched all their videos, and we’ve listened to the cast album a lot, so a few weeks ago we decided to get some tickets for the first preview.

I have never heard cheering in a Broadway theater as loud as I heard in the Lyceum tonight. It was overwhelming. The audience was clearly filled with fans. From beginning to end, the audience screamed and shouting and clapped its heart out for the five people up there. It was a wall of sound.

I felt bad for the elderly couple sitting next to me. They seemed thoroughly baffled. I was next to the husband, who was using the theater’s hearing equipment. At the very beginning, when Larry Pressgrove, the music director, who is actually part of the show, walked out onto the stage, and the audience erupted in cheers, the man leaned over to me and asked who the guy and why everyone was cheering for him.

For the rest of the audience, it was lots of fun. And since the show is about trying to get to Broadway, and this was the first preview on Broadway, it was poignant. The audience spontaneously broke into a standing ovation at the end of the second-to-last song, and it must have lasted a good minute and a half. Who knows what the four principals, Jeff, Hunter, Susan, and Heidi, thought of this. Their expressions were frozen on their faces as they waited for the ovation to die down, but they must have been overwhelmed. During the final number, which is a low-key, poignant piece, a couple of their voices broke as they sang, and Susan’s eyes were filled with tears.

I don’t know how run-of-the-mill Broadway audiences will respond to it. They certainly won’t respond like the audience did tonight. That’s why it was so much fun to be there tonight.

There are a few kinks they need to work out with some of the new material. But the show remains clever and witty and endearing, and it’s filled with inside theater jokes. If you’re a theater geek — or any sort of creative type, for that matter — you’ll appreciate the show and its message.

Holiday Weekend

Thoughts swirling through my head today on only a few hours of sleep. Once again I woke up around 4:00 this morning. Why does this keep happening? We must get a new mattress and an actual bed.

As I drifted in and out of sleep I kept dreaming about [title of show]. Still thinking about the first preview the other night. I can’t get these lyrics out of my head today:

I’d rather be
Nine people’s favorite thing
Than a hundred people’s ninth favorite thing

I’m still thinking about our holiday weekend. It was really nice — we did at least one fun thing on Friday, Saturday and Sunday, which had not been the norm for us lately.

On Thursday night I opened up my cardboard box of memorabilia. I’d taped it up when we moved last fall and hadn’t opened it since. I wanted to dig through my old journals, but I wound up spending the evening looking through a few hundred photographs that have been sitting in various drugstore envelopes for years. Then I pored over words I’d written almost exactly 10 years ago.

On Friday afternoon we saw WALL-E. I loved it. Can’t recommend it highly enough. One of the most poetic and beautiful animated films I’ve ever seen. I want my own WALL-E to keep as a pet. I also realized that the shape of his head is similar to E.T.’s. I wonder if that was intentional.

After the movie, we went to a Fourth of July party at our friends’ place and watched the fireworks from their roof. It was raining, and the rain weighed down the smoke over the East River and kept it from dissipating, so most of the fireworks were obscured. That was kind of disappointing.

Saturday night was [title of show], and yesterday afternoon we went to my parents’ house for a little family hangout. My dad grilled up burgers, chicken skewers, and steak, and we ate outside. My parents have done lots of gardening this summer and there were flowers everywhere, as well as a few bird feeders that attracted lots of birds (and some squirrels and, I think, a couple of rats). My parents’ backyard is surrounded by tall trees, which were fully green in mid-summer bloom. It was such a nice respite from the city. I think human beings need to commune with nature — it touches something inherent in us. It grounds us and reminds us where we came from. It slows us down, re-synchronizes us with the clock of the world. Trees, plants and animals are so much realer and truer than concrete and plaster and pixels and plastic.

Alas, all weekends come to an end. But I don’t want to waste this summer like I usually do. Matt and I should try to get away somewhere, even if just for a couple of days. I want to slow down and appreciate summer for once.

Die Vampire, Die

I know this is the fourth [title of show] post I’ve written in the last few days.

But I was just sitting at my cubicle listening to “Die Vampire, Die” on my iPod, and I got to the part that goes

The last vampire is the mother of all vampires and that is the vampire of despair. It’ll wake you up at 4am to say things like:

Who do you think you’re kidding?
You look like a fool.
No matter how hard you try, you’ll never be good enough.

Why is it that if some dude walked up to me on the subway platform and said these things, I’d think he was a mentally ill asshole, but if the vampire inside my head says it, it’s the voice of reason.

and I started silently crying.

Now I’m typing this entry and it’s happening again.

One thing I noticed when I stopped taking Celexa a few months ago after 4 1/2 years is that the spigots got unblocked. It first happened to me while watching “Enchanted,” of all things. I’d forgotten what it was like for tears to well up so easily. I hadn’t even realized I’d forgotten.

Emotions seem much more feelable to me again these days.

Broadway Ticket Scanning

Here’s a Q&A about why ushers at many Broadway shows now scan the bar codes on your tickets instead of tearing them. Tidbit:

[T]he scanners record exactly when each patron enters the theatre, allowing Telecharge to amass and analyze data on when people tend to show up. What have they found so far? A lot of the data has confirmed conventional wisdom. For instance, at plays, which tend to attract native New Yorkers, lots of people show up five minutes before curtain. At musicals, which attract more tourists, people tend to show up earlier.

Title of Show and the Cool People

Post number five on [title of show].

I’m sorry. But I can’t get it out of my head. And I’ll explain why.

And then I have an anecdote. But first the explanation.

It’s not like this a flawless, OMFG-amazing this-is-the-best-thing-you’ll-ever-see show. It’s not tightly plotted, and it can be too insider-y, and some of the writing could be more polished, and the second half has problems, and the whole thing has minimal production values.

But there are so many wonderful stretches, and hilarious moments, and brilliant lyrics, and catchy or moving melodies, and the sum of its parts is terrific. And that whole experience on Saturday night — being in that wild, fan-filled audience, going to the stagedoor afterward — the whole thing somehow reconnected me with my much-younger, long-forgotten self.

I haven’t felt this way since I experienced Rent.

My Rent experience started way before I actually saw the show. In the mid-90s, I wasn’t too plugged into the Broadway scene, because I was away from home, at school in Virginia. Rent opened on Broadway in the spring of 1996 (after a long journey), but it wasn’t on my radar. It wasn’t until the end of ’96 that I was home in New Jersey, on break from my first year of law school, that someone mentioned the cast album of the show and how good it was. A few months later I decided to buy the album, knowing nothing about the show and never having heard the music before. I think I bought it over spring break — again while home in New Jersey. I listened to it in my car on the long ride back to Virginia, and it blew me away. For months thereafter, I listened to it endlessly. It was practically the only thing I listened to in my car. To this day I probably know every note of that album.

Then I read online about how this whole subculture had built up around the Rent line. Rent used to have a policy where the first two rows of seats were reserved for the first few dozen people on line outside the theater. Young Rent fanatics would wait outside the Nederlander Theater overnight for tickets, and over time, they developed friendships. Theyd wait all day, then tickets would be distributed at 6 p.m., and you could go grab a bit or whatever until the show at 8.

I read about these people and I was so envious. They seemed like they had so much fun. I wanted to be part of them. I wanted to be in their group.

I suppose it came from my not rebelling enough as a kid, from being too careful and studious — from feeling that while other kids were always allowed to play and break the rules, I, for some reason unknown to my kid self, never was allowed. I carried a Unique Burden. I had a Responsibility. I liked the neatness of my world — do well in school, and in return receive praise and protection from parents and teachers. I preferred my own world, where I knew what the rules were and knew how to follow them and thereby succeed.

Anyway, now I was 23 and I read about the RENT-heads and I wanted to be with them.

That summer, I was home working in New Jersey, and I finally decided to wait on The Line and see the show. There were numerous times I thought about it, and finally one day in the middle of July I decided to skip work and do it. I didn’t want to wait all night long, though, so I decided I’d get up really early and get to the theater by 7 in the morning. If the spots were all filled, then at least I’d tried.

I got there and I was in luck: there were still spots remaining. I hung out in front of the Nederlander with these other people all day. I talked with a few of them, but I didn’t particularly bond with any of them, and I never saw any of them again.

The big downer was that, as I learned sometime during the day, both Anthony Rapp and Adam Pascal were going to be out that night. I’d fallen in love with Anthony Rapp through listening to the cast album, and I was devastated that I wasn’t going to be able to see him perform. And on top of that, Roger was out, too? Both male leads were out? (Turned out Rent experienced a rash of understudies that summer.)

It wound up not mattering. I got a second row ticket and I had a magical experience that night. I was moved to tears more than once, overwhelmed by finally being able to see this show that I’d come to know so well in my own way and to commune with the performers who stood just a few feet in front me.

Anyway. Back to [title of show].

Experiencing it among the fanatics the other night was a much different experience from seeing it at the three-quarters-filled Vineyard Theater a couple of years ago. The combination of the show itself, its inspirational message, the appeal of the four leads, and being among all these fanatics — it all added up to something hard to define.

Afterwards, Matt and I decided to hang out by the stage door for a while. We did this more out of curiosity than out of… what? Well, when I was younger, I might have wanted desperately to commune with the actors, get their autographs, talk to them, and hope that they’d see something great inside me and want to be my friend and that, by some form of osmosis, they might transfer their coolness to me.

But on Saturday night I was 34 years old and I knew that that’s not what happens, and anyway, there were tons of people waiting by the stage door, including a 16-year-old girl who was waiting to give the actors a stuffed toy monkey in a Playbill t-shirt (this relates to the show), and I heard some guy mention how he’d seen Wicked with the original cast, back when he was in second grade. I felt way too old to be there, not cool enough to stand out from the crowd enough for Hunter and Jeff to notice me, and on top of that, I knew that the sort of magic I used to yearn for doesn’t happen. Other people can’t make you different from who you are. There’s no transitive property of coolness.

And we were tired of waiting. So we went home.

So here’s my anecdote.

One weeknight a couple of years ago, I was coming out of the West 4th Street subway station on the way home from somewhere. By the time I got off the last car of the train and walked all the way down the platform to the front end where my stairway was, there was nobody else around.

And then I saw two people coming down those stairs. They were Jeff Bowen and Hunter Bell, the stars and creators of [title of show].

There was nobody else around but me and them.

I was starstruck. But I didn’t say anything, because I was a New Yorker, and we see recognizable people all the time, and you’re not supposed to disturb them, and maybe they were in a hurry to get somewhere, and besides, what would I have said to them?

But I wish I’d said something anyway.

Deep down — sometimes not so deep — I still want to be one of the cool people. The ones who sing and dance and act stupid and hug each other and say funny things to each other and know that they’ll always have each other.

I really want to. Desperately.

First Words

I’m getting a ton of hits today from people searching Google for “tin man’s first words in the movie,” or some variation thereof.

Can one of you tell me what this is all about?

Wild and Wonderful

Reviews of Broadway flops, part 1.

“Wild and Wonderful,” The New York Times, December 8, 1971. Reviewed by Clive Barnes.

The new Broadway musical, “Wild and Wonderful,” is wet, windy and wretched. It opened last night at the Lyceum Theater. I shall always try to remember it, and to use it as a yardstick to measure the future.

I don’t want to be gratuitously unkind to the people who perpetrated this — but why did they have the arrogance to imagine that their garrulous wanderings justified two hours of my time, or anyone else’s time? This is a show that insults the intelligence. Producers — even amateur producers — shouldn’t do this. This is the kind of show that sends you back to television — or, if that is too radical, at least back to television commercials.

It is impossible to imagine the precise degree of cultural shock that a show of this type can administer. A musical like this makes critics wonder whether they should ask their publishers for hazardous duty pay for their brains, or, failing that, a precise statement of where they stand with Blue Cross and Blue Shield.

“Wild and Wonderful” is described as a “Big City” fable. Its hero is a West Point dropout who has joined the Central Intelligence Agency. He is assigned to infiltrate youthful radicalism. A girl throws her school books off the George Washington Bridge — it happens every Tuesday, I guess — and he confuses her with a radical bomb-thrower. His C.I.A. chief, who lives in a helicopter, encourages him in this mistake.

The agent radicalizes the girl and takes her to a Roman Catholic shelter. The shelter is managed by Brother John — who wears a turtle-neck and is absolutely groovy — and Father Desmond, who appears to have ulcers and a problem of incipient alcoholism. He also — quite frankly — cannot understand the now generation, or even the youth sub-drug culture. Father Desmond is without it.

The girl — a nice enough kid in all conscience — falls in love, without knowing it, of course, with this young, hippy C.I.A. agent, who happens to be the son of a multimillionaire. But I shall not detain you with the story. The humor — at the performance I saw, people were giggling at the show incontinently but with reason — is so flat that is makes Amsterdam appear like a village at the top of Mount Everest. Indeed, this musical provides a new dimension to flatness.

The music was bad, the lyrics were bad, the book was worse than bad, the choreography unsupportable, the costumes proved singularly hideous and were spectacularly unflattering to every woman in the cast and, in the context, the settings seemed gratefully close to what we think of as professional.

The role of the heroine — who had to carry the most stupid of cumulative gags about late, late show movies — was played with more charm than it deserved by Laura McDuffie, and Walter Willison threw in everything but his kitchen sink, range and refrigerator — to say little or nothing of the air-conditioning — in an effort to make the hero viable. Even Mr. Willison failed, and Mr. Willison is unusually talented. Ted Thurston, who played the priest with something of the gallant air of man about to be defrocked, is also a fine performer who deserves better of life than this.

This was a terrible and witless show. The kind of show where you leave, find that it is raining, instantly feel like Gene Kelly and start singing. At least you are in the street rather than in the theater.

It closed after one performance.

[tos] again

I decided I wanted to see [tos] again, so I got myself a ticket for tonight. I went online and it turned out there was a great seat available in the second row, center orchestra, so I snagged it. (Sometimes excellent seats pop up on the day of a show, especially single seats.)

I’m so psyched. I know I’ve sounded like an obsessed teenager this week, but so be it.

Last night in therapy I was talking about the show and how it’s reawakened these creative yearnings in me. An image came into my head of this long, sharp metal object piercing through the layers of skin and baggage and events that have accumulated over my lifetime, parting them like the Red Sea, and reaching down to touch my tender core, my truest yearnings and desires that have become encrusted over the years with so much other stuff.

I need to get this shit out of my system.

P.S. And oh my god, Jeff Bowen writes crossword puzzles.

Rent 12 Years Later

Campbell Robertson of the New York Times has a great piece about the ways in which the passage of time has made Rent anachronistic since it first appeared more than a decade ago. My favorite part:

There is a fascinatingly antagonistic attitude among the characters toward virtual reality and what they call cyberland. The creation of a cyber studio on a lot on East 11th Street is the great evil of the musical, seemingly more ominous than AIDS or drugs, and yet if “Rent” took place today, half the characters in the show would be blogging.

She also has some insight into the authenticity, or lack thereof, in musical theater.

Mental Health Day

Yesterday morning I woke up and decided to take a mental/physical health day. I wasn’t sure whether to call it a personal day or a sick day, because it was sort of both. I hadn’t been sleeping well lately, and I was feeling mentally drained and depressed and self-loathing, particularly about my ability to write, or even about my right to write. I just couldn’t bear the thought of going to work. I needed a day to recharge.

It was wonderful.

I got back into bed and turned on WQXR, New York’s classical music station. I couldn’t remember the last time I let myself just lie in bed listening to the radio. I fell asleep. I woke up. Fell asleep again. Finally got out of bed around noon.

Lay on the couch reading a couple of chapters of Joel’s book, Swish: My Quest to Become the Gayest Person Ever, which, despite the jocular title, is surprisingly moving.

Went to my computer to dig up old half-finished stories and pieces I’d written.

Got back into bed with The Artist’s Way, which I think I’m going to work through for the third time, and read the introductory sections.

Sat down in the kitchen to write in my notebook.

Went for a run in Central Park. I planned to run to and around the Reservoir so I could feel like Dustin Hoffman in Marathon Man (which we rented a few weeks ago), but I got winded before I even got to the Reservoir. So first I started walking around the Reservoir, and then I started running again, and then I walked then ran then walked then ran then walked home.

Then I decided to do my first Artist’s Date. I decided to do something I’d never done before: bake a pie.

I bought blueberries last week, and that made me wonder about making a blueberry pie, so when I got home I found a recipe in my all-purpose cookbook, bought the ingredients, and baked a pie. I had to buy a bunch of things we didn’t have, so the pie wound up costing me 40 bucks. But that included a pie pan, cinammon, allspice, sugar, cornstarch (when I will ever use cornstarch again? better bake more pies), lemon juice, butter, and a seven-dollar tub of vanilla ice cream, because you can’t have pie without ice cream. Matt came home from work just as I started unpacking the ingredients, and he asked me why I didn’t just go out and buy a pie for less money, but then he caught himself and realized that that wasn’t the point for me, that the experience was the point for me.

Here’s how it came out.

blueberry pie

Very oozy and drippy. But I was proud of myself, because I’d never done it before.

So we ordered in Thai food and ate pie and watched the latest episode of “Legally Blonde The Musical: The Search For Elle Woods,” which has an awkward and unwieldy title. I hate reality shows and avoid them on principle, because (1) I think they’re putting writers out of business and (2) I think a good narrative story engages the creative part of our brains better than a contest where mean people are exploited. But I actually like this show.

(I wonder if that’s why reality TV does so well: we all say we hate reality TV except for that one show.)

We watched a little more TV and then went to bed.

I still woke up too early this morning, but I feel better than I’ve felt in several days.

Sometimes, when a voice inside is telling you to take a break, you really need to listen.

Boolah

A writing coach I’ve met with a few times, Nancy Rawlinson, has just started a blog about “books, literature, publishing and the creative process.” Some good stuff up there so far. She links to a piece by writer Anne Enright, who says:

Over the years, you learn to keep your emotions in the place where you write. With practice you can wrestle them down to something roughly the size of the page.

Tony Bennett II

I saw Tony Bennett last night. I was coming out of my therapist’s office in the Village and started walking down the street, and across the street I saw Tony Bennett standing on the front stoop of a brownstone. He was just standing there, wearing a suit, facing forward and smiling, looking totally at ease, talking with a couple of people who were standing on the lower steps. He seemed to be holding court.

I don’t know what he was doing there. I’ve seen functions going on in the living room of that brownstone before. I think it’s owned by an organization.

This was actually the second time I’ve seen Tony Bennett. The first time was in 1996. I was walking into the men’s room at the Art Institute of Chicago and he was walking out.

If this temporal and geographic pattern holds true, I will next see Tony Bennett in November 2020 in the middle of the Atlantic.

Ten Years of Gay

This is an important anniversary for me.

Ten years ago this week, I finally accepted that I was gay.

I had struggled with my sexuality for years — doing mental gymnastics, filling page after page in my diaries and journals, arguing with myself, talking with therapists. I didn’t know whether I was gay or straight or in between or whether I should be gay or straight or in between. I spent year after year analyzing myself, trying to think my way to the answer. It was like trying to argue a symphony.

In July 1998, I was 24 years old, living in the Glee Club house while working as a research assistant to a law professor for the summer. It was the summer after my second year of law school at UVa. Most law students did such jobs after their first year of law school; after the second year, you were supposed to work as a summer associate at a law firm somewhere. But my interviews hadn’t gone well, and I didn’t know what I wanted to do with my degree, and at the last minute I’d found this mind-numbing research job. Stuck in Charlottesville for the summer — again. I hated the job and I wondered what the hell I was doing with my life.

I was living in the house with several other guys, including my gay friend Jim, with whom I’d privately shared my confusion a few months earlier, after I’d fallen hard for a straight guy — harder than I’d ever fallen for anyone before, so hard that I’d had to tell someone. It had been five years since I’d had a gay friend that I could talk to about these things.

Now, one summer night several months later, Jim was sitting in the living room, talking with another guy who lived in the house, a straight guy, about what it was like to be gay. I sat there and listened. I couldn’t say anything, because the other guy didn’t know about me. It roiled me inside; I was living in the same house with a gay friend of mine and I was feeling all these things so intensely about my life and I didn’t know what to do about any of it.

A couple of nights later I was doing a writing exercise from The Artist’s Way. I was working my way through the book that summer, trying to get in touch with my inner creative self. In this exercise, I was supposed to write about my ideal day. As I wrote, I found myself dreaming up a boyfriend and including him in my fantasy.

It hit me.

In my ideal life, I had a boyfriend.

It was an epiphany. This was what I wanted. This was what would make me happy. After all the years of confusion, all the pages and pages of tortured logic, the answer turned out to be comically, painfully simple.

This is what I want. And it’s okay.

That day or the next, an image came into my head: I was standing on a flat rocky plain, watching the enormous sun rising in the distance as it turned the sky a mixture of deep purple and orange and red. I would be going toward that sunrise. I would have a happy future after all.

That night, I went out and bought a book by Michelangelo Signorile, Outing Yourself. It was time. I was ready.

While I occasionally had doubts over the following weeks, nothing could shake that initial epiphany. I’d forever changed. I knew who I was and where I was going.

Last week I pulled out my journal from that time, because I wanted to make sure I had the right date.

Saturday, July 18, 1998

9:30 pm

This evening I bought Michelangelo Signorile’s Outing Yourself. I think I am realizing that I am gay. That seems strange, to just be realizing that, because I am no stranger to my sexuality. For at least seven years I have known myself. Over the last seven plus years I’ve had various experiences, not necessarily sexual. August 1991: I wrote it in my diary. April 1992: I came out to Kirk. [etc. etc. etc.]

Over the past seven years, and more, I have gleaned information from books, newspaper and magazine articles, TV segments, TV programs and TV movies. Furtive glances, shows watched in solitude, things read alone. Therapy. Talking with people. I’ve identified myself as “not straight,” “non-straight,” even “queer.” Possibly “bisexual.” But I have had the hardest time really figuring out what I am.

I haven’t wanted to deal with the responsibility…

I wrote on for a couple more pages and ended by saying I was gay.

I wrote again the next day.

And then the next.

And then that week I discovered gaycollegeboys.com, which led me to IRC, or Internet Relay Chat. Gay chat rooms.

I didn’t write in my notebook for six days.

After that, I didn’t write in my notebook for a whole month.

I was too busy living.

So it’s been 10 years. In 10 years I’ve had lots of gay sex and lots of gay dating and lots of gay heartbreak. And I’ve fallen in love.

If anybody had told me 10 years ago that in 2008 I’d be living fully out as a gay man, living in Manhattan with a man I love, my partner of four and a half years, a man whom my family embraced as one of their own — well, my head would have exploded.

Happy Gayversary.

Newark Starbucks Closing

The Starbucks in downtown Newark, which is right next to my office building, is among the 600 stores the company is closing. And people are not happy, including the city’s leadership.

I’m not really a coffee drinker, and I don’t think I’ve ever set foot inside the store, but I’m annoyed that it’s closing. It’s usually crowded and it makes downtown Newark feel like a real place. Already the FedEx/Kinko’s has closed. More importantly, the Duane Reade closed last year, so there’s no place to buy sundries during the day. (Duane Reade is like CVS but worse.)

Oh, and I would give my left arm for a big chain bookstore nearby. There are practically no bookstores in Newark.

Idiots Against Gay Soldiers

I’d never heard of Elaine Donnelly, but apparently she caused quite a ruckus at yesterday’s congressional hearing about “don’t ask, don’t tell.”

Donnelly treated the panel to an extraordinary exhibition of rage. She warned of “transgenders in the military.” She warned that lesbians would take pictures of people in the shower. She spoke ominously of gays spreading “HIV positivity” through the ranks.

“We’re talking about real consequences for real people,” Donnelly proclaimed. Her written statement added warnings about “inappropriate passive/aggressive actions common in the homosexual community,” the prospects of “forcible sodomy” and “exotic forms of sexual expression,” and the case of “a group of black lesbians who decided to gang-assault” a fellow soldier. …

Rep. Vic Snyder (D-Ark.) labeled her statement “just bonkers” and “dumb,” and he called her claims about an HIV menace “inappropriate.” Said Snyder: “By this analysis . . . we ought to recruit only lesbians for the military, because they have the lowest incidence of HIV in the country.” …

Donnelly returned to the case of “Cynthia Yost . . . assaulted by a group of lesbians.” She neglected to mention that the incident was alleged to have occurred in 1974.

Fun reading.

Weekends

Sometimes at the end of the weekend, or on Monday morning, I think back to Friday night and wish I could just freeze a moment from it. On Friday after work, Matt and I rode a New Jersey Transit train out to the suburbs to have dinner with my parents and some old friends of theirs. The train was bright and sunny and filled with relaxed commuters. When we got off the train in the ‘burbs, we walked to a nearby wine store and brought my parents some wine. Then we walked to the house, had wine, went out to the deck and sat at a table underneath an umbrella surrounded by trees and ate delicious food.

When I was a kid, I often liked to just sit at the table and listen to the adults have interesting conversations. Now I can actually be part of the conversation.

Just as the best part of a vacation is often the very beginning, when you’ve come home from work (or, way back when, from school) and realized that you have a wonderful stretch of time ahead to look forward to, sometimes the best part of the weekend is the very beginning. At the end of a vacation I wish I could go back to that moment at the beginning, when I was anticipating everything to come, and just hold the moment.

The rest of the weekend was unexciting. We spent most of it indoors, watching TV. Yesterday I made a recipe from a cookbook: curried chicken salad. It’s tasty and I brought some for lunch today.

The problem with doing nothing but sitting around watching TV is that it doesn’t create any memories. One hour runs into another and you’ve just stared at a screen the whole time. You haven’t experienced anything new or hung out with interesting people. One thing I’ve realized in the last few years is that I’m more of an extrovert than I used to think. I’m still an introvert in lots of ways, and sometimes I’m nervous about meeting new people — but I do need people in my life. I don’t have very many friends whom I see regularly. It’s my own fault for not taking the initiative. And since Matt is more of an introvert, it’s pretty much all on me.

Watching TV wasn’t all bad. We downloaded and watched the crazy season finale of “Doctor Who.” We re-watched the last few episodes of “Mad Men” and then watched the season premiere. I watched parts of “The Wizard of Oz,” which happened to be on TV. That movie never ceases to be special.

But sometimes I worry that I’ll look back on my life and see that I haven’t done enough fun things. I’ll see a succession of empty weekends. A few thousand of them.

Oh, well. Another weekend is just four days away.

Mass House Votes to Repeal

The Massachusetts House of Representatives voted yesterday to repeal the 1913 law that prevents out-of-state couples from getting married in Massachusetts if their home state would bar the marriage. The state senate passed the law a couple of weeks ago, and the governor plans to sign it. Under existing law, same-sex couples can get married in Massachusetts only if same-sex marriage is legal in their home state. Many people think the law was originally passed to prevent interracial marriages. The repeal will allow many more same-sex couples to come to Massachusetts and get married.

Kris Mineau, president of the Massachusetts Family Institute, said that this House vote is “eroding the people’s right to define marriage.”

It’s funny:

When a court rules that same-sex couples have a constitutional right to marry, the court is apparently infringing on the legislature’s job — even though the court is doing its job under the constitution.

When a legislature votes to allow same-sex marriage, this somehow infringes on the right of the people — even though legislators are the people’s duly-elected representatives.

When the actual people vote down a marriage amendment, as happened in Arizona two years ago, somehow that’s not legitimate and there needs to be a revote.

These people don’t care about “the people’s right” at all. All they care about is getting rid of icky homosexuals. And somehow they think banning same-sex marriage is going to do that.

Because, you know, homosexuals didn’t exist until same-sex marriage became legal in Massachusetts in 2004.

Homosexuality and Disgust

There’s an interesting piece in the most recent issue of the Duke Journal of Gender Law & Policy, by Prof. Richard E. Redding of Villanova University School of Law, about how “the psychology of disgust” plays a role in the opposition to same-sex marriage. This section particularly zeroes in on the topic.

Redding’s thesis is that moral opposition to homosexuality is really a subconscious mask for intuitive feelings of disgust or revulsion. Not everything society considers immoral is treated with revulsion. Killing, stealing, lying, and adultery are all considered immoral, but they don’t make people feel an intuitive sense of physiological disgust or fear of contamination the way homosexuality does.

Redding writes:

Disgust arises from the sense of bodily contamination… It evolved to prevent contact with biological vectors of disease transmission and to maintain the boundaries between our human and animal natures. “Disgust appears to function as a guardian of the body in all cultures, responding to elicitors that are biologically or culturally linked to disease transmission… In many cultures, disgust goes beyond such contaminant-related issues and supports a set of virtues and vices linked to bodily activities in general.”

Over time, disgust evolved into a moral emotion — we perceive conduct that disgusts us as being immoral conduct. … In addition to religious beliefs (which themselves may have evolved from the “moral emotion” of disgust), the “moral emotion” of disgust may explain why public sentiments about homosexuality are so strong, negative, and pervasive.

Morality grew out of everyday life. Human beings had to learn to survive in a dirty world filled with dangerous germs. Many early religious rites grew out of the concept of cleanliness; cleanliness is what separates us from the animals. Consequently, the notion of purity versus impurity looms large as a religious metaphor. Think of the ancient purification rituals required before entering temples. And Yom Kippur, the most important Jewish holiday, involves purifying oneself from sin.

Cleanliness is also a way to stratify society: the “clean” versus the “unclean.” Many traditional social systems, particularly in the East, had a class of people called “untouchables”; they were usually the people who worked in dirty occupations, such as those involving the butchering of animals or the handling and removal of feces. Fear of contagion led the “higher” people to protect themselves from these “lower” people through separation. The impure had to be cast out of society, lest they contaminate those who were pure. (See also: scapegoat.) Impurity was naturally contagious.

Over time, these ideas and fears about uncleanliness, contamination and contagion merged with concepts that had other origins, coalescing into religion and religious morality. Although they’re associated with religion, these particular concepts grew out of physical fears.

Since sexual behavior is a prime vector for “contaminating” oneself with another person’s bodily fluids — sweat, saliva, semen, vaginal fluids — it’s often associated with disgust. Throw in anal sex — and, today, the fear of AIDS — and gay men become a particularly strong object of disgust. (There’s also the male fear of being de-masculinized and the way homosexuality upsets traditional gender roles, which Redding doesn’t really discuss.)

What’s really fascinating is a study Redding cites in which subjects were hynotized to think of certain ordinary words with disgust, such as “take.” When the subjects then read sentences containing that word, they saw the otherwise neutral actions described therein as disgusting. When the sentences described transgressive actions, the subjects saw those actions as more morally wrong when the sentence contained the special word than when it didn’t.

Redding states that this and other experiments “make[] a very compelling case that many moral judgments, including those relating to sexuality, are not the product of a deliberate, rational thought process that involves weighing and evaluating competing arguments. Rather, such judgments are made intuitively, emotionally, rapidly, and largely outside of conscious awareness. These intuitive reactions, which arise from conditioned emotional responses to situations and stimuli, are provided with post-hoc rationalizations. Moral reasoning is ’employed only to seek confirmation of preordained conclusions.’ ”

That last sentence to me is the kicker. Moral reasoning is often employed only to seek confirmation of preordained conclusions.

Redding includes two quotes toward the end of his piece that I think are great. From Dan Jones:

Disgust didn’t evolve to track things that we would normally consider morally important, unlike empathy, which is triggered by the real pain or suffering of others.

From Martha Nussbaum:

[T]he moral progress of society can be measured by the degree to with it separates disgust from danger and indignation, basing laws and social rules on substantive harm, rather than on the symbolic relationship an object bears to anxieties about animality and mortality.

Fascinating stuff.

(By the way, I found this article while looking through the most recent Lesbian/Gay Law Notes, compiled by Professor Art Leonard of New York Law School.)

Office Hallways

It’s awkward when you work in an office with really long hallways, and you’re walking down one of the long hallways, and then you notice someone else walking toward you from the opposite end of the long hallway.

I’m never sure at what distance you should start to make eye contact, and what to do until that point.

There’s also the awkardness of whether or not to acknowledge the person in the first place, which depends on how well you know the person and on whether you even know the person. Sometimes I don’t even know whether or not to make eye contact, particularly if it’s a person who seems intent on not acknowledging you. But of course you’ve already acknowledged the person and made eye contact from a distance, because you’re both walking down the hallway and you can’t help but notice each other.

These are some of the things I think about.

Maybe it’s best to work from home.

Jackie O White House Tour

The season premiere of Mad Men, which aired this past Sunday on AMC, is set on the day and night of Valentine’s Day, 1962. In a neat bit of historical accuracy, several of the characters wind up watching parts of Jackie Kennedy’s televised tour of the White House, which really did air that night, February 14, 1962. (It got 56 million viewers! Can you imagine anything getting that kind of viewership today?)

Well, AMC is now hosting the entire television special on its website. (More background here.)

Here’s how the New York Times covered it, and here are the TV listings for that day. (Unfortunately, I think you need to be NYT subscribers to see the pre-1980 archives.)